With tracks like “Sleep with You” and “Take Me Out” they haven’t just conquered Austrian radio station FM4, but also found their way onto international playlists and even the big screen (MOND, 2024, directed by Kurdwin Ayub). After their uncompromising debut Never Enough (2021), their latest acclaimed album All Filler No Killer (2024) followed – a record that not only sounds incredible, but also never gets dull. On stage, BAITS deliver an intense experience every time – more like a cathartic outburst than punk rock routine. Carried by Sonja Maier’s powerful, emotionally charged vocals, BAITS’ music blends anger with melancholy, pulsing with an overwhelming energy that recalls iconic acts like The Distillers, Pixies, PJ Harvey, and a hint of Jay Reatard. They’ve proven this over the past years on around 200 stages all across Europe (AT, DE, CH, FR, NL, IT, CZ, SK, HU). In recognition of their impact, BAITS were nominated for the Austrian Amadeus Music Award in the Hard/Heavy category in both 2024 and 2025. Currently, the band is working on fresh material with a new line-up, aiming to turn things up even louder in 2026.
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BAITS oscillate between punk energy, pop instinct, and the sweaty charm of the ’90s – raw, melodic, and always a little unpredictable, driven by rough edges placed with intent.
ALL FILLER NO KILLER
BAITS: All Fillers and No Killers?
Can an album title lie to you? Yes, it can. The four members of the Austrian band BAITS call their second studio album “All Filler No Killer”. Yet, what’s inside is exactly the opposite of what’s written on the outside. Is the album title a subversive critique of an aging rock star’s megalomania? It’s not exactly clear. But one thing is certain: the album contains no fillers, only killers. The quartet, centered around the magnetically charismatic frontwoman Sonja Maier, serves up 11 absolute hits on “All Filler No Killer”, oscillating between Nirvana, Weezer, Hole, Ramones, and Amyl and the Sniffers while still maintaining a unique, unmistakable identity. Punk is just the base camp. From there, the four-piece band climbs musical heights that couldn’t be more different. Whether it’s a danceable pop song, a captivating garage rock track, a harmony-rich punk anthem, or a hard-hitting number for the mosh pit – all these songs have one thing in common: they first burrow into your ear and then straight into your heart. But the brain isn’t neglected either.
It’s about power, gender, privileges, and injustices. The singer doesn’t make any prisoners, but she is always aware of one thing: the situation may be hopeless, but not always serious. “All Filler no Killer” is held together by drummer FAZO666FAZO, who also shines as an extremely competent producer. What remains is the impression that the band has evolved to a higher level. BAITS’ second effort sounds tighter, more rounded, and technically more sophisticated at every moment than its already impressive predecessor. In conclusion, “All Filler No Killer” proves that BAITS know exactly where they are headed, which is straight to the top.
SLEEP WITH YOU
An Appeal for Emancipation. The rising band from Vienna, Baits, unleashes with ‘Sleep with You’ (Noise Appeal Records) a powerful song that drives us through the emotional worlds of exhaustion in the face of the seemingly insurmountable patriarchy. The quartet cleverly combines musical influences of legendary 90s bands from Olympia, Washington, with the poppy lightness of Mac DeMarco and the Baits’ own rock sound.
Lyrics like ‘Can you tell me why are you so sad? You so pretty, but your face looks mad. Can’t you just put a smile on your little cheeks?’ reflect the everyday sexism experiences of the singer Sonja Maier, while the song also creates a common space for empathy and collective resistance. With ‘If you can’t take us, we shall burn your reign,’ a call to raised fists and burning hearts is elegantly made. Best enjoyed at sunset at the next festival or in a club on the Germany tour this March.
